Producten getagd met firth

Vic Firth SD12 - Swizzle - American Custom

An SD1 General with a hard, spun felt ball attached to the butt end. Ideal for fast changes on cymbals.
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Vic Firth SD2 - Bolero - American Custom

Round tip. Ideal for light orchestral and pit playing.
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Vic Firth SD4 - Combo - American Custom

Barrel tip. Light and fast for jazz quartet or chamber music.
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Vic Firth SD6 - Swizzle - American Custom

An SD2 Bolero with a hard, spun felt ball attached to the butt end. Ideal for fast changes on cymbals.
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Vic Firth SDW - Dave Weckl Signature

Barrel tip for broad cymbal sound. Fast, with great leverage. In wood or nylon tip.
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Vic Firth SDW2 - Evolution - Dave Weckl Signature

A short tear drop tip on a 5A shaft. Provides superior cymbal definition with excellent rebound. In wood or nylon tip.
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Vic Firth SDW2N - Evolution - Dave Weckl Signature - Nylon Tip

A short tear drop tip on a 5A shaft. Provides superior cymbal definition with excellent rebound. In wood or nylon tip.
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Vic Firth SDWN - Dave Weckl Signature - Nylon Tip

Barrel tip for broad cymbal sound. Fast, with great leverage. In wood or nylon tip.
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Vic Firth SGAR - Matt Garstka Signature

Matt set out to design a stick that could be agile without losing its structural integrity. This stick definitely has beef, but a blended tip and long taper provide awesome finesse and speed.
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Vic Firth SGB - Greg Bissonette Signature

A beefed-up 2B featuring a heavy shoulder and neck.
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Vic Firth SGH - Gerald Heyward Signature

Features a barrel tip and plenty of length with a short taper for really laying into a groove.
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Vic Firth SGK - George Kollias Signature

Blends elements of the popular 5A & 5B models. A classic barrel-shaped tip delivers a clear cymbal sound and full drum tone.
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Vic Firth SGRE - Matt Greiner Signature

Medium diameter, extended length and elongated taper. Dry-tumbled for a smooth and organic feel. No added finish!
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Vic Firth SGWB - Steve Gadd - Wire Brushes

Steve and Vic have solved the age-old problem of wire brushes snagging on new coated drumheads by slightly angling the wires in the playing end. The light gauge wires glide across the head‚ allowing a smoother sweep and a velvet swish sound.
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